Written during the 1890s, the stories in this selection brilliantly recreate vivid images of Bengali life and landscapes in their depiction of peasantry and gentry, casteism, corrupt officialdom and dehumanizing poverty. Yet Tagore is first and foremost India's supreme Romantic poet, and in these stories he can be seen reaching beyond mere documentary realism towards his own profoundly original vision. Tagore is often seen as a serious writer, dealing with significant issues concerning religion, politics and culture in his work, he also had a lighter side to his personality, which enabled him to laugh at certain inherent human weaknesses, such as excessive piety, sentimentality, affectedness, arrogance and sexual jealousy, in a comic spirit, rather than being derogatory or sarcastic about them. Sometimes, this laughter was even at his own expense, caricaturing a certain drollery or oddity in his own personality, or at the expense of a close family or associate.
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