融合·跨界 当代玻璃艺术三年展

本书是国家艺术基金2019传播交流推广项目《融合·跨界 当代玻璃艺术三年展》成果展现。本书以“融合、跨界”为主题，展示了来自清华大学美术学院、中央美术学院等20余所艺术院校110余件玻璃艺术作品，以及来自全国各省市自治区工艺美术大师、非物质文化遗产传承人、玻璃企业的玻璃作品20余件。

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关东海，清华大学，主任，副教授，中央工艺美术学院学士，硕士学位英国伍尔弗汉普顿大学玻璃学硕士学位美国弗吉尼亚联邦大学访问学者英国桑德兰大学博士学位现任清华大学美术学院工艺美术系副系主任；中国工艺美术协会玻璃艺术专业委员会主任前言：前言玻璃，一种古老而神奇的人工合成材料，其工艺在中国有着悠久的历史和传统。长期以来，玻璃制品和日常生活结合紧密。从20世纪中期至今，成为当代艺术与当代工艺美术的组成部分。清华大学美术学院最早在国内高校建立玻璃艺术专业及工作室，通过教学和科研活动发掘、展现玻璃材料和玻璃艺术的当代意义，使玻璃艺术作为手工文明的价值和意义在信息化时代凸显出来，让玻璃艺术成为一门抚慰心灵、展现时代风貌和表达艺术思想的当代艺术。本次当代玻璃艺术三年展暨学术研讨会的主题是“融合”和“跨界”，展览旨在探讨玻璃艺术如何在坚持本体语言的前提下进行拓展和延伸。作为国内玻璃艺术领域规模最大、涵盖最广、水平最高的学术交流活动，此次当代玻璃艺术三年展共有300 余件（组）玻璃艺术作品报名，经过专家评审，有110 余件（组）作品入选，此外还有近20余件（组）特邀艺术家作品参展。“融合·跨界”当代玻璃艺术三年展暨学术研讨会旨在拓宽中国当代玻璃艺术的发展格局，增加公众对中国当代玻璃艺术的了解，使其成为一个具有社会影响力的文化艺术品牌展览，使中国当代玻璃艺术逐渐在世界玻璃艺术的舞台上活跃起来，同时，也为未来记录当代玻璃艺术发展的文献积累一手资料。展览是呈现、记录、推动专业成果，引发学界讨论的重要形式。2014年，“1895中国当代玻璃艺术展”在南通开启了玻璃艺术的新纪元。2018年10月，在国家艺术基金传播交流推广资助项目的支持下，我们又相聚在文化古都郑州，研讨中国当代玻璃艺术的发展历程、现状问题及学术成就，促进玻璃艺术的交流和普及。在此，特别感谢协办单位中国国家画院和中国工艺美术协会的支持，感谢河南省美术馆对于本次展览的举办给予的鼎力协助。中国当代玻璃艺术展作为一个新生事物，已然展现出它的活力，它的持续举办必然会鼓励更多青年艺术家进行艺术创造，促进中国玻璃艺术水平整体提升，展现它未来的强大生命力。清华大学美术学院院长2018年10月FrefaceGlass has always been a material of magic. Techniques related with it in China have a long and splendid history. From the past to the modern time, glasswares have been closely related with people’s daily life. Since the mid 20th century, glass has become an important part of the contemporary arts and crafts. The Glass Art Course in Tsinghua University was the first set up officially in universities in China. We encourage students to explore the potentials of this material and discover the essence of contemporary glass art through various academic act ivi t ies.The value and meaning of craftsmanship can be shown in the information age. It also makes glass art a heart-touching medium by which people can express their thoughts.The theme of the Triennale and seminars was “Fusion” and “Crossover”. The exhibition was aiming to discuss how glass can be developed and extended while maintaining its own language. Being the largest in scale and wildest in range in China, the academic event had attracted around three hundred art works (including series). After reviewing by the jury, one hundred and ten works were selected. Besides, nearly twenty art works from invited artists were exhibited in the Triennial.“Fusion & Crossover” the Contemporary Glass Art Triennale and seminars followed were focused on the development of Chinese contemporary glass art and intended to improve the understanding of art of the general public. We wish the exhibition to create great influences and can contribute to primary datas for future historians of glass art development.Through exhibitions, academic achievements can be displayed, recorded and thought. In 2014, the 1895 China Contemporary Glass Art Exhibition, held in Nantong, stood for the milestone of Glass Art in China. This autumn, we gathered in Zhengzhou, exchanging ideas about the development of and challenges faced by Preface contemporary glass art in China. I want to sincerely thank China National Academy of Painting, China Arts and Crafts Association for supporting the event; Henan Art Museum for cooperating with us. As a newborn event, energy of the China contemporary glass art exhibition has already shown to the public. This event will become a drive for the younger generation to rise China contemporary glass to another level.Dean of Academy of Arts & Design, Tsinghua UniversityLU XiaoboOct. 2018

1、本书是国家艺术基金2019传播交流推广项目《融合·跨界 当代玻璃艺术三年展》成果展现。2、本书所收录的作品代表了中国玻璃行业发展的水平和动向，具有很好的借鉴、赏析性。